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Download PDF The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)

Download PDF The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)

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The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)

The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)


The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)


Download PDF The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)

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The End of Chiraq: A Literary Mixtape (Second to None: Chicago Stories)

Review

"This is no ordinary anthology. It’s a multigenre compilation, curated by Johnson, a professor of African American studies, and poet Coval (A People’s History of Chicago, 2017), cofounder of Chicago’s Louder Than a Bomb youth poetry festival, and it reflects the editors’ kaleidoscopic approach to literary work in one of the most diverse—and one of the most segregated—cities in the U.S. By turns academic and artistic, the collection includes interviews with community activists (like Uptown’s Elephant Rebellion), essays on Black Lives Matter and against Spike Lee’s Chi-Raq, and an artists’ round-table discussion on Afrofuturism. But at its heart are poems, produced primarily through Young Chicago Authors, and they are some of the most fiery, fiercely intelligent, wickedly funny verses brought together in one place." —Booklist "Because this book focuses on the lived experiences of Black and Brown Chicagoans, it draws on the voices, literary cues, and artist expressions that are part of their lives. As a Black Chicagoan, I was thrilled to see the rhythms and use of Chicago slang (tha’ go and Chiraq) used in this book. It captures a unique voice, which readers (especially Chicago readers) will find compelling." —Rashad Shabazz, Associate Professor, Social Sciences at Arizona State University"The End of Chiraq is a necessary and impassioned recovery of a set of histories, images, and a soul of Chicago that is often rendered absent in traditional demographic studies. This collection is hip-hop, once again, finding ways to give voice and power to young people." —Anthony S. Blacksher, Associate Publisher, San Diego Poetry Annual"How do you reclaim what is holy from a bullet riddled name? Who has the right to hold a city in their mouth? The End of Chiraq is a salve for Chicago from those who live, love, and thrive against the flat narrative of this great city. These poets, scholars, and lyricists transport the reader to Chicago summer juke parties, family barbecues, and raise the joy that refuses to die in the face of political neglect and social violence. Unflinching and unmoved, The End of Chiraq stares back into the reader’s eyes, past the murder headlines, and demands respect before you call a beloved home out its name." —Amanda Johnston, author of Another Way to Say Enter and cofounder of Black Poets Speak Out "The violence regularly experienced by young Chicagoans is harnessed here to transform the potential and richness via rhythm, slang, hip-hop, scholarship, imagination, and documentation. It’s an important book encapsulating the feelings and experiences of the black community in Chicago, a city under siege. These are stunning voices in rap, story, interviews, never put together like this before... This is a powerful encyclopedia of human progress though creativity." —Grace Cavalieiri, Washington Independent Review of Books"Put this book in the hands of anyone who keeps Chicago name in their mouth, those who call it home and outsiders alike. The poems, prose, and lyrics on this mixtape are bops and ballads, love songs, diss tracks, dirges, and hymns that sing of Chicago to my outsider ear songs like the right way. Made clear here is that legendary love folks from Chicago have for their city continues to be translated into sharp criticism, impressive lyrics, and stellar poetry by emergent scribes of Chicago’s current artistic renaissance. Play this book loud! Let it bang in your classroom, blast it at the bookstore. The End of Chiraq points to a bright and urgent future for a city in the capable hands of its young people, and they would also like to remind you to watch your mouth." —Danez Smith, author of Don't Call Us Dead and [insert] boy “I want to see unconditional love and the end of Chiraq. If you feel the same way, my one 'answer' would be to read this book.” —Cody Lee, NewPages

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About the Author

JAVON JOHNSON is an assistant professor of African American Studies at the University of Nevada, Las Vegas, and the director of African American and African diaspora studies. He is the author of Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities (2017) and is an award-winning spoken word poet who has appeared on HBO, BET, and TVOne.KEVIN COVAL is the founder of Louder Than a Bomb: The Chicago Youth Poetry Festival and artistic director of Young Chicago Authors. He is the coeditor of The BreakBeat Poets: New American Poetry in the Age of Hip-Hop (2015); author of A People’s History of Chicago, Schtick, L-vis Lives!,and Slingshots (A Hip-Hop Poetica); and author (with Idris Goodwin) of This Is Modern Art.

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Product details

Series: Second to None: Chicago Stories

Paperback: 192 pages

Publisher: Northwestern University Press (May 15, 2018)

Language: English

ISBN-10: 0810137186

ISBN-13: 978-0810137189

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#672,256 in Books (See Top 100 in Books)

The End of Chiraq: A Literary Mixtape edited Javon Johnson and Kevin Coval is a collection of mixed literature describing the city of Chicago. Johnson is an Assistant Professor and Director of African American & African Diaspora studies and holds an appointment in Gender & Sexuality Studies in the Interdisciplinary, Gender, and Ethnic Studies Department at the University of Nevada, Las Vegas. He received his Ph.D. from Northwestern University. Coval was raised in the suburbs of Chicago and educated at Ohio University, the University of Wales, and DePaul University. His brave, socially engaged poems weave together personal experience and calls to action.Chicago was, and to many still, a city of pride, industry, and innovation. Carl Sandberg coined it the "City of Big Shoulders". It was to the meat industry what Detroit was to the car industry. It reversed the flow of a river to wash pollution away. The city physically lifted its city blocks to improve drainage and prevent flooding. Chicago was the midwest New York City -- Education, Art, publishing, sports, museums. The city had it all. In 2016 Chicago again entered the news as Candidate Trump made the murder rate a political issue to the point of wanting to send federal troops into the city.Chiraq is a contraction of Chicago and Iraq. It signifies the violence in the city. Early on it is pointed out that in 2008, 314 soldiers died in Iraq and 508 people were murdered in Chicago. To further add to the statistics the City of Chicago spends 40% of its operating budget on police. Chicago also has the most militarized police forces in the country yet as violent crime has fallen all over the country it is rising in Chicago.The contributors write in factual prose, narrative prose, poetry, and in rap. Hip Hop had a revival in Chicago in the 1990s and 2000s and that is brought up by several contributors. Kayne West, Chief Keef, and King Louis are all mentioned at various times. Spike Lee's movie Chi-Raq receives an unfavorable critique by many for what is called "Willie Horton marketing." Spike Lee should have stuck to writing about areas he knows about. One comment read to the effect that the use of the play Lysistrata might have been fine for Greek comedy but should not be repurposed on this side of 300BC.Writers in this collection turn to treating the cause of the problems in the city. The city and its police force attack the symptoms and at times over aggressively when gunning down unarmed men. Schools are being shuttered and mostly in poorer areas. Race is an issue in a highly segregated city. It plays its part in education and opportunity. For the vast majority, being born poor means a lifetime of poverty or alternatively crime and gangs.The editors assemble the book as a mixed tape from the 1980s. Various prose forms are mixed with poetry and lyrics. The mixed tape format of the book is compared to the mixed tape. It is a collection of freedom. It is not one album played in order. It is a kind of democratization where the user determines content and order and not a record company. This, of course, was in the days before streaming and shufflable playlists and perhaps a nostalgic view of what Chicago used to be -- a diverse, progressive city of industry, art, education, and freedom. A strong message from the people of a strong city.

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